Box 41
Contains 30 Results:
Juan Manuel: Caballero, Songs of Old Mexico, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Living Marimbas: Mexican Joe, 1967
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Living Brass: Mexican Shuffle, 1965
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Los Coyotes del Rio Bravo, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Vianey Valdez: Una Rebelde Encantadora, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
The Frankie Ortega Trio At Dino's: Playing Fifty Favorites of the Hollywood Stars, 1960
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Jose Feliciano: Souled, 1968
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Wes Montgomery: Tequila, 1966
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Jose Feliciano: El Sentiemento, La Voz y La Guitarra de Jose Feliciano, 1967
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Tony Mottola: Guitar, a Latin Love-In, 1967
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.