Box 31
Contains 26 Results:
Menudo: Subete a Mi Moto, 1981
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Menudo: A Todo Rock, 1983
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Menudo: Por Amor, 1982
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Antonio Aguilar: A Grito Abierto, 1959
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Antonio Aguilar, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Antonio Aguilar: 15 Corridos, Nortenos 15, 1988
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Antonio Aguilar con el Mariachi Mexico de Pepe Villa: Viva Mi General Francisco Villa, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Paisaje Mexicano con el Mariachi Aguila de Guadalajara, Jalisco, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Antonio Maciel y los Aguilillas con el Mariachi Mexico, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Luis Arcaraz: Cita con Luis Arcaraz, undated
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.