Skip to main content

Box 7

 Container

Contains 17 Results:

Prisoners with AIDS have a right to live, undated

 File — Box: 7, Folder: 1
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: undated

Clippings, 1978 - 1994

 File — Box: 7, Folder: 2
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1978 - 1994

De La Hoya vs. Chavez clippings, 1996

 File — Box: 7, Folder: 3
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1996

Nuestra Gente, 1993-05

 File — Box: 7, Folder: 9
Scope and Contents

Includes articles on Robert Rodriguez and Maria Conchita Alonso.

Dates: 1993-05

Revista Mr. TeVe / Hogarama, 1972 - 1993

 File — Box: 7, Folder: 10
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1972 - 1993

Tiger Beat, 1979-04

 File — Box: 7, Folder: 12
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1979-04

TV Guide, 1999-07-03

 File — Box: 7, Folder: 17
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1999-07-03

Flyers, circa 1990

 File — Box: 7, Folder: 6
Scope and Contents

Includes: Dona Rosita la Soltera, El Lenguaje de las Flores; Teatro! Theater and the Spirit of Change in Honduras; Latino Theatre Lab; Teatro Leido: BFA 20th Anniversary; The Fifth Annual Chicano Music Awards; Out Front at the Mark Tapper Forum; The Art of Mexico: Lal Aguilar Sims; Chicanos Citrus College Art Gallery.

Dates: circa 1990

Flyers, 1990 - 1999

 File — Box: 7, Folder: 7
Scope and Contents

Includes: Gay and Lesbian Latinos Unidos (GLLU) 10th anniversary; Orange County Cultural Pride Gay and Lesbian Pride souvenier program, 1991; Cara a Cara AIDS project; VIVA News, 1990; Booklet SIDA: Lo Que Debe Saber; Protesta Nicaruaga; AIDS Posada 91 with Cyclona.

Dates: 1990 - 1999

Political mailings, circa 1990

 File — Box: 7, Folder: 8
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: circa 1990