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Box 3

 Container

Contains 25 Results:

Souvenir hand fan with the images of Martin Luther King, John F. Kennedy and Robert Kennedy, undated

 File — Box: 3, Folder: 23
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: undated

Adbusters, 2001-01

 File — Box: 3, Folder: 9
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 2001-01

Los Angeles Times Sunday Magazine, 1991-08-13

 File — Box: 3, Folder: 11
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1991-08-13

Hispanic Magazine, 1988-05

 File — Box: 3, Folder: 12
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1988-05

Maryknoll Magazine, 1992-07

 File — Box: 3, Folder: 15
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1992-07

LA Times Magazine Style Pages, 1992-02-02

 File — Box: 3, Folder: 16
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1992-02-02

Who Gets Ahead In America by Daniel Yankelovich. [photocopy], July 1979

 File — Box: 3, Folder: 21
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: July 1979

Clippings, 1990 - 1992

 File — Box: 3, Folder: 25
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: 1990 - 1992

"How To End The War In Vietnam" by Eugene McCarthy, circa 1968

 File — Box: 3, Folder: 2
Scope and Contents From the Collection:

This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.

Dates: circa 1968