Box 3
Contains 25 Results:
Adbusters, 2001-01
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Los Angeles Times Sunday Magazine, 1991-08-13
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Hispanic Magazine, 1988-05
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
People Magazine clippings, circa 1987
Includes articles on Lisa Lisa.
Maryknoll Magazine, 1992-07
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
LA Times Magazine Style Pages, 1992-02-02
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Who Gets Ahead In America by Daniel Yankelovich. [photocopy], July 1979
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Clippings, 1990 - 1992
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
"How To End The War In Vietnam" by Eugene McCarthy, circa 1968
This collection consists of artworks and mixed media, correspondences, exhibition materials, manuscripts, and photographs related to Cyclona's career as a performance artist. Audio, campaign, and commercial materials explore Cyclona's early artistic influences, and his critiques of how Latinidad is commodified in mainstream media.
Gallery and art exhibit flyers and invitations, circa 1984
Includes: Gronk; Harry Gamboa; Patssi Valdez; ASCO; Hazard Gallery; Murals of Aztlan; Curtis Gutierrez; Diane Gamboa; Barbara Carrasco; Sylvia Delgado and Marisela Norte; Otis - Parsons BFA show; Daniel J. Martinez; Diane Gamboa and Ray Navarro.