Box 20
Contains 5 Results:
"Looking for Alternatives: The Marginalization of Chicano Art, 1960-1990" by Philip Brookman, 1990 - 1991
This collection includes correspondence with the various artists or their representatives, information about the artists as well as photographs of their work, and material related to the catalog. There are also administrative papers, including grant proposals, budgets, and invoices. There are also records of the educational outreach programs associated with the exhibition.
"In the City of Angels, Chameleons and Phantoms: Chicano Art in Urban Tones" by Harry Gamboa Jr., 1990 - 1991
This collection includes correspondence with the various artists or their representatives, information about the artists as well as photographs of their work, and material related to the catalog. There are also administrative papers, including grant proposals, budgets, and invoices. There are also records of the educational outreach programs associated with the exhibition.
"Rasquachismo: A Chicano Sensibility" by Tomas Ybarra-Frausto, 1990 - 1991
This collection includes correspondence with the various artists or their representatives, information about the artists as well as photographs of their work, and material related to the catalog. There are also administrative papers, including grant proposals, budgets, and invoices. There are also records of the educational outreach programs associated with the exhibition.
"The Political and Social Contexts of Chicano Art" by Shifra Goldman and Tomas Ybarra-Frausto, 1990 - 1992
This collection includes correspondence with the various artists or their representatives, information about the artists as well as photographs of their work, and material related to the catalog. There are also administrative papers, including grant proposals, budgets, and invoices. There are also records of the educational outreach programs associated with the exhibition.
"The Dialects of Chicano-Mexicano Art" by David R. Maciel, 1990
This collection includes correspondence with the various artists or their representatives, information about the artists as well as photographs of their work, and material related to the catalog. There are also administrative papers, including grant proposals, budgets, and invoices. There are also records of the educational outreach programs associated with the exhibition.